xcathodex wrote:Ralph E. Powers wrote:That is a good way to "paint" but your light(s) need to be bright enough and it takes practice and a tripod with a cable-release (does anyone use those anymore?)
yep - i had to ebay mine, actually, they're kind of a pain to find. but i've been getting into moonlight photography and that sort of thing is basically impossible without a sturdy tripod, a cable release (or one of those fancy remotes), and having a mirror lock function on your camera.
calculating the exposures can be a bit of a crapshoot though - i'm used to "doing the math" with a wide aperture and then stopping down and mulitiplying in my head; but in most situations with little to no artificial light, you can't even get a solid reading off the camera's meter so it's often guess-and-test (within a certain range).
Well in this day and age of Digital photography you're lucky that a nice sized memory card can allow you to take dozens of shots of one area with different exposures... Ask Peter Bosted or any other well known cave photographer how many thousands of pictures they took (starting out) on regular film before they realize this f-stop and that apature, this slave here and that light there and this caver here and that caver shouldn't move and so on and so on... sheesh. But their later works proved well worth it!